Reincarnation of the Strongest Sword God - Side Stories
Chaotic Sword God
Apocalypse Gacha
Necromancer: I Am A Disaster
Martial Cultivator
Aspiring to the Immortal Path
There's Absolutely No Problem With The Magic Cards I Made!
Loser System and Berserker Me
Nightmare Assault
The Hero Turned Into A Potato And The World Fell To Ruin
Everlasting Immortal Firmament
My Iyashikei Game
Martial Cultivator
Chapter 575: There Are Always Different Stories in the World
Horror Game Designer
Chapter 276: The Shape of Home
Nightmare Assault
Chapter 198: Invitation
Apocalypse Gacha
Chapter 1084.5- Top ten gatekeeper (2)
Aspiring to the Immortal Path
Chapter 904: Divine Kingdom Plan
Necromancer: I Am A Disaster
Chapter 308 - First Time Raiding A Lower-Level Dungeon
Apocalypse Gacha
Chapter 1084- Top ten gatekeeper
The Demon King is Too Unfathomable!
Chapter 7: Mission Completed! Influx of Good Reviews?
Martial Cultivator
Chapter 574: All My Friends
Nightmare Assault
Chapter 197: Joke
Horror Game Designer
Chapter 275: Home
Apocalypse Gacha
Chapter 1083.5- Country top ten (2)
Aspiring to the Immortal Path
Chapter 903: Lifespan
Necromancer: I Am A Disaster
Chapter 307 - The Dragonkind Frontline Outpost Dungeon Becomes A Stronghold
Apocalypse Gacha
Chapter 1083- Country top ten
Chaotic Sword God
Chapter 3809: Mysterious Little Grass
Martial Cultivator
Chapter 573: Uncle and Nephew, Father and Son
Nightmare Assault
Chapter 196: Witness
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Necromancer: I Am A Disaster Chapter 329 - A Dungeon Radiating An Artistic Atmosphere (Teaser)
Lin Moyu strolled leisurely through the Water God’s Courtyard, the dungeon's layout swiftly mapping itself in his mind. The entire dungeon consisted of interconnected courtyards, each with an open-air design, bordered by small waterfalls on all sides. The environment was masterfully crafted—elegant and harmonious.
The gentle sound of flowing water filled the air, blending together like a symphony. Each courtyard had its own unique melody, creating a soothing atmosphere.
Among all the dungeons Lin Moyu had ventured into, the Water God’s Courtyard stood out for its artistry. Every courtyard featured eighteen stone pillars, some damaged, others intact. Intricate carvings adorned each pillar, depicting various creatures—some beast-like, others humanoid.
One figure appeared repeatedly in the carvings: a female figure. Though the carvings lacked facial detail, her distinctive presence made her instantly recognizable. She was clearly the central figure in these depictions.
“These carvings seem to tell a story.” Lin Moyu mused, “It’s a pity t
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